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Thomas Hardy and the Boer War
The Boer War (1899-1902) was
broadly welcomed by the British public at the outset. Here was a chance for the most powerful Empire the
world had ever known to flex its muscles in a quick encounter with a
smaller, less-developed enemy, and send a warning to old rivals Germany.
By the time the war had entered its third year, the public were
heartily sick of a campaign that had seen the methods of their top generals
exposed, and the nation's civilised reputation ripped apart.
The faith in
Imperialism that had remained such a vital aspect of Queen
Victoria's reign had already begun to dissipate by the time of her death in
1901. The war marked the arrival in the public eye of small but
influential groups opposed to war in general, and the Boer War in
particular. Many felt that war was an outmoded concept, and nothing justified the
human suffering that took place. Others felt that the only reason for
sending half a million men to South Africa was to win control of the
Transvaal's gold mines.
After events in South Africa began to go against the
British military machine, these pro-Boers, as they were known, became
Public Enemy No.1 among the government's many supporters, and the
resulting confrontations had far-reaching consequences upon society in
general. As the Boer War heralded a change from the older war tactics
that had let Britain down so drastically, the poetry of the time betrayed
a similar shift towards a more modern outlook.
Thomas Hardy was
one of those accused of pro-Boer loyalties. Poems full of Jingo
bloodlust were written in profusion, but his war verse displayed a more muted
style, concentrating on individual tragedy rather than greater glory.
The large number of fatalities caused by increasingly modernised methods
of warfare appalled many, and Hardy's work found an appreciative,
if small, audience. The better-known poems from the First World War
(1914-1918) by the likes of Wilfrid Owen, owe a clear debt to Hardy and his contemporaries.
"I take a keen pleasure in war strategy and tactics,
following it as if it was a game of chess, but all the while I
am obliged to blind myself to the human side of the matter:
directly I think of that, the romance becomes somewhat tawdry,
and worse."
- Thomas Hardy, 1899
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